Division of opinion is what has created the last work of Yaron Herman. The pianist of Israelite origin who lives in France still like in their host country and Germany, but received some 'buts' Mediterranean criticism. Europe is well. According Yaron northern neighbors with his new trio is more spontaneity and energy getting rid of a mannerism that previously hampered his music. Some blamed him know this pianist true intellectualism misunderstood.
A strong point for this new energy that runs through the veins jarrettiana the pianist seems to emerge from the rhythmic beats new drummer Tommy Crane imposed with the help of Chris Tordini on bass, the game Yaron. Southern
Criticism Yaron's work from the pianist's music lacks sufficient soul to transcend, we who plays hard and well, perhaps too, but that does not reach the heart. In my humble opinion
Yaron Herman is a pianist who like almost everyone has their good and bad and that every step that expands horizons and improving their work, their last two recordings are really good and this time "Follow the Rabbitt "is no exception. Among the fourteen compositions
highlight the two raids in the world of pop - rock, already common in the earlier works of the pianist, one with Nirvana "Heart Shaped Box" and the other in a successful Radiohead "No Surprises" are chosen . A small remembrance of her Jewish origins with a quiet theme signed by D. Aaron "Ein Gedi" name of a beautiful oasis in Israel. It also has its place among the strongest themes Herman signature solo or trio, the ballad "Baby Mine" out of Walt Disney film "Dumbo." For variety one can complain.
I think Herman is a very good piano player in the line of the current leaders of the roost (Mheldau, Iverson, Iyer, etc ...) that deserves a quiet listening and after each draw their own conclusion.
As the disk and follow the rabbit in Alice and immerse ourselves in Wonderland jazzy proposed Yaron Herman and his people.
I. Ortega
Label: ACT
Distributor: Karonte
Year: 2010
Musicians: Yaron Herman (piano), Chris Tordini (bass), Tommy Crane (drums)
Style: Jazz Modern
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