EHUD ASHERIE - ORGANIC
After three years of silence, Israeli pianist and organist Ehud Asheri two albums released in 2010 : the first was "Modern Life" during the first months of last year, and already running out in 2010 launched the "Organic."
If in "Modern Life" Asheri gave vent to his side piano, in "Organic" let out your vein groove to get behind his Hammond B-3. Both discs share one common feature: the directory is divided almost equally between jazz standars and own songs.
The album starts with "Tonight" from Leonard Bernstein and ends with "Blues for Fats" in homanaje Fats Weller, another keyboardist who was equally comfortable playing the piano to the organ. In the middle are issues Sonny Rollins, Johnny Green and Antonio Carlos Jobim. In terms of their own songs including "Pra Jelena Valse," possibly the most loving theme of the album, "Apostrophe", one of the more funky pieces, the nostalgic "It's possible" and the aforementioned "Blues for Fats."
Among his companions should be noted guitarist Peter Bernstein performing a wonderful job, showing that in the land of soul and groove jazz moves like a breathtaking ease and is able to create melodic lines of great beauty and intensity. In castiza, if Asheri if it neglects a bit Bernstein would have eaten the toast.
This fourth album for signing Ehud Asheri positrons is a disc with very accessible music and that will happen and some time to those who enjoy the unmistakable sound of Hammond B-3 jazz and soul.
José Manuel Pérez Rey
Label: Posi-Tone Records
Distributor: Distrijazz
Year: 2010
Musicians: Ehud Asheri (body ), Peter Bernstein (guitar), Dmitry Baevsky (tenor sax), Phil Stewart (Drums)
Style: Groove
Monday, January 31, 2011
Wednesday, January 26, 2011
Wedding Program Thank You Note To Guests
FLORIAN ROSS - MECHANISM
Florian Ross is a young German-born piano value in 1972 and has had people as masters of the height of John Taylor, Joachim Ullrich, Don Friedman and Jim McNeely.
We can say that the recordings of Ross, who already in 1998 released his first album, look both multifaceted jazz tradition as the extraordinary use of contemporary material . In all formations, from trio to quintet and string orchestra for group metals, Ross manages to reconcile these two seemingly different musical forms. Improvisation and composition.
His music invites inspiration, the architecture of his compositions are sometimes bold, but always fresh. Intellect and feeling, not mutually exclusive, head listening to the stomach, and vice versa. The music radiates balance.
Ross has worked with musicians of the importance of Vince Mendoza, Bob Brookmeyer, Dave Liebman, Don Friedman, George Duke, John Scofield, Kenny Wheeler, Joe Lovano and John Hollenbeck. He has given concerts throughout Europe, Asia, Australia and New Zealand.
After a decade, several major awards and several recordings on the market now is the time of the solo to Ross, the litmus test for a pianist that price.
Florian Ross is strengthened by this new recording as a compositional force in contemporary European jazz. Seventeen songs, almost all own borders complete this recording classical music with apparent complicity in the piece harmonically rich and very melodic.
only have room for two versions, a successful "Sometime ago" Sergio Mihanovich and a "Moments Notice" from Coltrane into the world of the ballad.
The presence of loops in some of the issues offer new sensations Ross style are welcome, in the case of songs like "Mechanism" or "Catflap" Other topics to Jarrett but remind minimalist as the disarming "Blade Runner"
Florian Ross has managed a CD filled with beautiful dark melodies watermarks, no dissonance and almost no room for silence forming a disc that will appeal to those not seeking fanfare ni grandes exigencias a la hora de escuchar un relajado jazz emparentado con el mundo de la clásica.
I.Ortega
Discográfica: Pirouet
Distribuidora: Distrijazz
Año: 2010
Músicos: Florian Ross (piano, loops)
Estilo: Jazz Moderno
Florian Ross is a young German-born piano value in 1972 and has had people as masters of the height of John Taylor, Joachim Ullrich, Don Friedman and Jim McNeely.
We can say that the recordings of Ross, who already in 1998 released his first album, look both multifaceted jazz tradition as the extraordinary use of contemporary material . In all formations, from trio to quintet and string orchestra for group metals, Ross manages to reconcile these two seemingly different musical forms. Improvisation and composition.
His music invites inspiration, the architecture of his compositions are sometimes bold, but always fresh. Intellect and feeling, not mutually exclusive, head listening to the stomach, and vice versa. The music radiates balance.
Ross has worked with musicians of the importance of Vince Mendoza, Bob Brookmeyer, Dave Liebman, Don Friedman, George Duke, John Scofield, Kenny Wheeler, Joe Lovano and John Hollenbeck. He has given concerts throughout Europe, Asia, Australia and New Zealand.
After a decade, several major awards and several recordings on the market now is the time of the solo to Ross, the litmus test for a pianist that price.
Florian Ross is strengthened by this new recording as a compositional force in contemporary European jazz. Seventeen songs, almost all own borders complete this recording classical music with apparent complicity in the piece harmonically rich and very melodic.
only have room for two versions, a successful "Sometime ago" Sergio Mihanovich and a "Moments Notice" from Coltrane into the world of the ballad.
The presence of loops in some of the issues offer new sensations Ross style are welcome, in the case of songs like "Mechanism" or "Catflap" Other topics to Jarrett but remind minimalist as the disarming "Blade Runner"
Florian Ross has managed a CD filled with beautiful dark melodies watermarks, no dissonance and almost no room for silence forming a disc that will appeal to those not seeking fanfare ni grandes exigencias a la hora de escuchar un relajado jazz emparentado con el mundo de la clásica.
I.Ortega
Discográfica: Pirouet
Distribuidora: Distrijazz
Año: 2010
Músicos: Florian Ross (piano, loops)
Estilo: Jazz Moderno
¿Te gustan nuestros articles? Subscribe FREE to our newsletter! SUBSCRIBE NOW AND DOWNLOAD YOUR GIFT! |
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Monday, January 24, 2011
Left Maxillary Retention Cyst Effects
NOAH PREMINGER - BEFORE THE RAIN
New York City, Noah Preminger has kissed the holy first arriving at the scene of his city, was nominated by the Jazz Journalists Association with its first recording, "Dry Bridge Road", the prize for best artist revelation of 2009. Ben Ratliff, The New York Times, did not spare compliments about of this recording: "More than just a promising starting point, this is a sign of integrity, here is a musician who feels and you can trust" ... "Unusually elegant ... played with care and precision. " Noe and his group can say that include the concepts influenced by genres ranging from classic to contemporary jazz, from hard rock to ambient music . This distinguishes him from other musicians.
Noah has had the opportunity to perform and work with musicians of the caliber of Dave Liebman, Fred Hersch, John McNeil, Steve Davis, Nat Reeves, Dave Douglas, Dave Holland, John and Bucky Pizzarelli, Billy Hart, Roscoe Mitchell, George Cables, Cecil McBee, Bob Moses and others besides has toured the world.
In this second CD in your name Preminger has dispensed with the trumpet and guitar accompanying him on his first cd and has put all the eggs in one basket as 'front man' with his sax , although no accompanying band is maimed, in fact has the extraordinary musicianship of pianist Frank Kimbrough, the bassist John Hebert and the drummer Matt Wilson always interesting.
first thing we can and we must say about this album, which is the debut of saxophonist for the Palmetto label, is that it a recording full of subtlety and elegance .
The album is a collection of nocturnal music From the initial reference to midnight classic jazz with a quiet "Where or When" by Rodgers and Hart to provide mobility item signed by Frank Kimbrough "Quickenin" this beautiful meditation or slow, melancholy saxophone and bass is "Before the Rain", a subject of Noah that leads us to think of Coltrane at times. It is music that creates a lush and patient, pastel colors accented with touches of color agile due to the strains of piano. There is still more hard to enjoy, "Abreaction" is another theme night itself and character that leaves the doors do another classic flavored midnight: "Until the real thing eat along" with a ballad pace, open and thoughtful. "K" is a little exercise that takes us into the most experimental yields. With "Toy Dance" by Ornette Coleman as the center and finished the little chaos to the calm of "November" Kimbrough returns us to the beautiful night "Jaime" signed by the Noah Preminger.
One disc for night creatures, a record of streetlights, sidewalks wet, clubs and almost impossible to find is what Noah Preminger has signed on his first recording for Palmetto I think it will report new bonus to his promising career.
I. Ortega
Label: Palmetto Records
Distributor: Distrijazz
Year: 2010
Musicians: Noah Preminger (tenor sax), Frank Kimbrough (piano) , John Hebert (bass), Matt Wilson (drums)
Style: Mainstream
New York City, Noah Preminger has kissed the holy first arriving at the scene of his city, was nominated by the Jazz Journalists Association with its first recording, "Dry Bridge Road", the prize for best artist revelation of 2009. Ben Ratliff, The New York Times, did not spare compliments about of this recording: "More than just a promising starting point, this is a sign of integrity, here is a musician who feels and you can trust" ... "Unusually elegant ... played with care and precision. " Noe and his group can say that include the concepts influenced by genres ranging from classic to contemporary jazz, from hard rock to ambient music . This distinguishes him from other musicians.
Noah has had the opportunity to perform and work with musicians of the caliber of Dave Liebman, Fred Hersch, John McNeil, Steve Davis, Nat Reeves, Dave Douglas, Dave Holland, John and Bucky Pizzarelli, Billy Hart, Roscoe Mitchell, George Cables, Cecil McBee, Bob Moses and others besides has toured the world.
In this second CD in your name Preminger has dispensed with the trumpet and guitar accompanying him on his first cd and has put all the eggs in one basket as 'front man' with his sax , although no accompanying band is maimed, in fact has the extraordinary musicianship of pianist Frank Kimbrough, the bassist John Hebert and the drummer Matt Wilson always interesting.
first thing we can and we must say about this album, which is the debut of saxophonist for the Palmetto label, is that it a recording full of subtlety and elegance .
The album is a collection of nocturnal music From the initial reference to midnight classic jazz with a quiet "Where or When" by Rodgers and Hart to provide mobility item signed by Frank Kimbrough "Quickenin" this beautiful meditation or slow, melancholy saxophone and bass is "Before the Rain", a subject of Noah that leads us to think of Coltrane at times. It is music that creates a lush and patient, pastel colors accented with touches of color agile due to the strains of piano. There is still more hard to enjoy, "Abreaction" is another theme night itself and character that leaves the doors do another classic flavored midnight: "Until the real thing eat along" with a ballad pace, open and thoughtful. "K" is a little exercise that takes us into the most experimental yields. With "Toy Dance" by Ornette Coleman as the center and finished the little chaos to the calm of "November" Kimbrough returns us to the beautiful night "Jaime" signed by the Noah Preminger.
One disc for night creatures, a record of streetlights, sidewalks wet, clubs and almost impossible to find is what Noah Preminger has signed on his first recording for Palmetto I think it will report new bonus to his promising career.
I. Ortega
Label: Palmetto Records
Distributor: Distrijazz
Year: 2010
Musicians: Noah Preminger (tenor sax), Frank Kimbrough (piano) , John Hebert (bass), Matt Wilson (drums)
Style: Mainstream
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Friday, January 21, 2011
Locking Instructions For An Eminent Suitcase
DOUG WEBB - MIDNIGHT
saxophonist Doug Webb leads a superb quartet in the "Midnight" that has all the aroma of the great and classic jazz records. This album conveys feelings of nightlife, jazz clubs of the half-light ...
saxophonist Doug Webb is a little known, but (almost) everyone has heard at some point because his sax is played when Lisa Simpson plays his instrument. Webb has more than thirty years on stage, and played with people like Bud Shank, Horace Silver, Freddie Hubbard, in the world of jazz and pop-rock musicians such as Rod Stewart, and all without have their work on television.
The eight tracks on the album, all standars, containing a beautiful touch of nostalgia that feels great. From its beginning with "Try a Little Tenderness" to end with "Emily" by Johnny Mendell, the "Midnight" is presented as 's a very solid, full of classic and very good work . One of the highlights of the album is the version of "Fly me to the moon ", with bossa nova that point it has. One of the strengths of the album is that the quartet played with a remarkable relaxation and tranquility.
If Doug Webb knows this is a record that is worth visiting to work , and if you know it, too. In any case, one of those records published in 2010 that should not go unnoticed because it is a great jazz album of all life.
José Manuel Pérez Rey
Label: Posi-Tone Records
Distributor: Distrijazz
Year: 2010
Musicians: Doug Webb (sax), Larry Goldings (piano), Stanley Clarke (bass), Gerry Gibbs (drums), Joe Bagg (piano); Mahesh Balasooriya (piano)
Style: Classic
saxophonist Doug Webb leads a superb quartet in the "Midnight" that has all the aroma of the great and classic jazz records. This album conveys feelings of nightlife, jazz clubs of the half-light ...
saxophonist Doug Webb is a little known, but (almost) everyone has heard at some point because his sax is played when Lisa Simpson plays his instrument. Webb has more than thirty years on stage, and played with people like Bud Shank, Horace Silver, Freddie Hubbard, in the world of jazz and pop-rock musicians such as Rod Stewart, and all without have their work on television.
The eight tracks on the album, all standars, containing a beautiful touch of nostalgia that feels great. From its beginning with "Try a Little Tenderness" to end with "Emily" by Johnny Mendell, the "Midnight" is presented as 's a very solid, full of classic and very good work . One of the highlights of the album is the version of "Fly me to the moon ", with bossa nova that point it has. One of the strengths of the album is that the quartet played with a remarkable relaxation and tranquility.
If Doug Webb knows this is a record that is worth visiting to work , and if you know it, too. In any case, one of those records published in 2010 that should not go unnoticed because it is a great jazz album of all life.
José Manuel Pérez Rey
Label: Posi-Tone Records
Distributor: Distrijazz
Year: 2010
Musicians: Doug Webb (sax), Larry Goldings (piano), Stanley Clarke (bass), Gerry Gibbs (drums), Joe Bagg (piano); Mahesh Balasooriya (piano)
Style: Classic
www.distritojazz.com a website dedicated to the world Jazz and other music, written in Castilian and open to the world.
Wednesday, January 19, 2011
What Does 32aa Look Like
BEN SIDRAN EUROPEAN 5ET - DYLAN DIFFERENT - LIVE IN PARIS...
Ben Sidran last year released an album in tribute to Bob Dylan with some of the songs most representative of Minnesota, which was very well received by both the public and critics. So good was it that decided to repeat it almost entirely, only this time in a live recording.
This "Different Dylan - Live in Paris at the New Morning" includes the concert Sidran, leading a quintet made up of musicians in his rare European tours and in highlighting the presence of trumpeter Erik Truffaz, offered in The New Paris Morning on April 29, 2010. And the result was as good as it could be expected from all .
The home is spectacular with Sidran presented the concert and the musicians in recitative plan that captures the listener from the first minute while sounding the first notes of "Gotta Serve Somebody." And from this place in almost all his previous album. There are only three changes, since it leaves out on popular subjects like "Highway 61 Revisited," "Knockin 'On Heaven's Door" and "Ballad of a Thin Man" introduces "Love Minus Zero (No Limit)," On the Road Again " and "We Are Here for a Minute." And everything still sounds great.
The French press is delighted with this album and many to be the live album of 2010 by how well it reflects the sort of communion, in general of pure chance, between the artist is on stage and the public; do not go off track. Two examples of the goodness of the disc, one is the naked version to make Sidran and Burger's "Blowin 'in the Wind" and the other is the "Subterranean Homesick Blues." They are not lost.
José Manuel Pérez Rey
Label: Bonsai
Music Distributor: Harmonia Mundi
Year: 2010
Musicians: Ben Sidran (piano, vocals), Rodolphe Burger (guitar, vocals), Marcello Giuliani (bass), Alberto Malo (drums), Erik Truffaz (trumpet)
Style : Modern Jazz
Ben Sidran last year released an album in tribute to Bob Dylan with some of the songs most representative of Minnesota, which was very well received by both the public and critics. So good was it that decided to repeat it almost entirely, only this time in a live recording.
This "Different Dylan - Live in Paris at the New Morning" includes the concert Sidran, leading a quintet made up of musicians in his rare European tours and in highlighting the presence of trumpeter Erik Truffaz, offered in The New Paris Morning on April 29, 2010. And the result was as good as it could be expected from all .
The home is spectacular with Sidran presented the concert and the musicians in recitative plan that captures the listener from the first minute while sounding the first notes of "Gotta Serve Somebody." And from this place in almost all his previous album. There are only three changes, since it leaves out on popular subjects like "Highway 61 Revisited," "Knockin 'On Heaven's Door" and "Ballad of a Thin Man" introduces "Love Minus Zero (No Limit)," On the Road Again " and "We Are Here for a Minute." And everything still sounds great.
The French press is delighted with this album and many to be the live album of 2010 by how well it reflects the sort of communion, in general of pure chance, between the artist is on stage and the public; do not go off track. Two examples of the goodness of the disc, one is the naked version to make Sidran and Burger's "Blowin 'in the Wind" and the other is the "Subterranean Homesick Blues." They are not lost.
José Manuel Pérez Rey
Label: Bonsai
Music Distributor: Harmonia Mundi
Year: 2010
Musicians: Ben Sidran (piano, vocals), Rodolphe Burger (guitar, vocals), Marcello Giuliani (bass), Alberto Malo (drums), Erik Truffaz (trumpet)
Style : Modern Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Monday, January 17, 2011
Cerrvix High Realy Soft 12dpo
ENRICO PIERANUNZI LATIN JAZZ QUINTET - LIVE AT BIRDLAND
After great success in his career many artists, most of them choose to follow the same line of work, and only few are able to venture into new and risky projects . The latter is the case of the Italian pianist Enrico Pieranunzi.
After the victory harvested with its "Pieranunzi Plays Scarlatti, one might think that this Italian musician continue along this path, but decided that would give a 180 th of his career, and so, in 2008, embarked in the formation of a Latin jazz quintet. All a risk that it alone deserves the applause of the good fans . Pieranunzi
surrounded himself with musicians struggling in very different styles of jazz, and so they joined the project artists as talented as the Argentine trumpeter Diego Urcola and Yosvany Terry, a young Cuban saxophonist great future. To the rhythm section had the presence of John Patitucci and Antonio Sanchez, two names to ensure safe execution. The debut of this group performed at the legendary Birdland in New York, and this CD includes the quintet's performance offered the November 1, 2008.
All items were interpreted in such action are signed by the Italian and shown them how good it makes Pieranunzi: solid music, melodic and very accessible . The best of the album are the slow songs like the lovely "Rosa del Mare" and where it weakens more rapidly on issues, which lacks the high point and debauchery which usually have usually discs featuring Latin jazz musicians .
José Manuel Pérez Rey
Label: CamJazz
Distributor: Karonte
Year: 2010
Musicians: Enrico Pieranunzi (piano), Diego Urcola (trumpet); Yosvany Terry (saxophones), John Patitucci (bass, electric bass), Antonio Sánchez (drums)
Style: Latin Jazz
After great success in his career many artists, most of them choose to follow the same line of work, and only few are able to venture into new and risky projects . The latter is the case of the Italian pianist Enrico Pieranunzi.
After the victory harvested with its "Pieranunzi Plays Scarlatti, one might think that this Italian musician continue along this path, but decided that would give a 180 th of his career, and so, in 2008, embarked in the formation of a Latin jazz quintet. All a risk that it alone deserves the applause of the good fans . Pieranunzi
surrounded himself with musicians struggling in very different styles of jazz, and so they joined the project artists as talented as the Argentine trumpeter Diego Urcola and Yosvany Terry, a young Cuban saxophonist great future. To the rhythm section had the presence of John Patitucci and Antonio Sanchez, two names to ensure safe execution. The debut of this group performed at the legendary Birdland in New York, and this CD includes the quintet's performance offered the November 1, 2008.
All items were interpreted in such action are signed by the Italian and shown them how good it makes Pieranunzi: solid music, melodic and very accessible . The best of the album are the slow songs like the lovely "Rosa del Mare" and where it weakens more rapidly on issues, which lacks the high point and debauchery which usually have usually discs featuring Latin jazz musicians .
José Manuel Pérez Rey
Label: CamJazz
Distributor: Karonte
Year: 2010
Musicians: Enrico Pieranunzi (piano), Diego Urcola (trumpet); Yosvany Terry (saxophones), John Patitucci (bass, electric bass), Antonio Sánchez (drums)
Style: Latin Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Friday, January 14, 2011
Aspergers Symptoms In Babies
ELF TRIO - ELFLAND
If you were a fan of the magical sound of the Esbjörn Svensson Trio and do not dislike the work of The Bad Plus garnished with electronic beats and a 'taste' more commercial, no doubt, "Elfland" may be a good record for end in 2010.
"Elfland" is the German trio's third recording for Enja Records Elf. In the continues with the mixing of their previous albums drum'n rhythmic concepts taken from the 'bass, house and dubstep with a fully melodic jazz and contemporary .
trio Elf tries to keep reinventing the format of classical piano trio looking for more contemporary rhythms in the styles prevalent in the dance halls, 'drum' n 'bass,' dubstep 'or' hip-hop 'leave their droplets in the style of this German trio.
His albums "Elf" and "746" have been enthusiastically acclaimed by critics and audiences in Europe and Japan and this third album follows this direction. Continued well aware of the warm and melodic acoustic sound of the instruments but always accompanied by distorting and surprising effects in each subject. For this cd are expecting a great contribution, voice the legendary Milton Nascimento, who knew about this group and offered them to record something for his tour of Brazil at the beginning of 2010. The result is two beautiful versions of "Ponte de Areia" and "Anima" Milton's own original. Brazil also 'sounds' in "Ocean11", with the collaboration of percussionist Marco Lobo and "House of Tom" song dedicated to Antonio Carlos Jobim.
most modern scene appears on this cd on tracks like "The Ave" that reflects the sounds 'hip hoppers', "Hammer Hammer Baby" more 'house' or the pretty version, almost nine minutes, the group performs the hit the band pop-punk of Blink 182 "Down." The sound closer to Bad Plus is reflected in "Sounds in My Garden" with an echo that rubs against the 'grunge'.
This is a trio 'electro-organic' in which each voice enjoy equal rights . Walter Lang's piano extends its lyrical melodies, very expressive and energetic chords on a good rhythm section consisting of drummer and bassist Gerwin Eisenhauer Sven Faller always accompanied by prerecorded loops and bases that give more pace if it is to the compositions.
In short a good record that without the magic of EST and the strength of The Bad Plus can make you spend good moments.
I. Ortega
Label: Enja
Distributor: Harmonia Mundi
Year: 2010
Musicians: Walter Lang (piano, bases); Sven Faller (bass , bases); Gerwin Eisenhauer (drums, percussion), Mario Sutel (bases), Milton Nascimento (vocals), Marco Lobo (percussion)
Style: Modern Jazz
If you were a fan of the magical sound of the Esbjörn Svensson Trio and do not dislike the work of The Bad Plus garnished with electronic beats and a 'taste' more commercial, no doubt, "Elfland" may be a good record for end in 2010.
"Elfland" is the German trio's third recording for Enja Records Elf. In the continues with the mixing of their previous albums drum'n rhythmic concepts taken from the 'bass, house and dubstep with a fully melodic jazz and contemporary .
trio Elf tries to keep reinventing the format of classical piano trio looking for more contemporary rhythms in the styles prevalent in the dance halls, 'drum' n 'bass,' dubstep 'or' hip-hop 'leave their droplets in the style of this German trio.
His albums "Elf" and "746" have been enthusiastically acclaimed by critics and audiences in Europe and Japan and this third album follows this direction. Continued well aware of the warm and melodic acoustic sound of the instruments but always accompanied by distorting and surprising effects in each subject. For this cd are expecting a great contribution, voice the legendary Milton Nascimento, who knew about this group and offered them to record something for his tour of Brazil at the beginning of 2010. The result is two beautiful versions of "Ponte de Areia" and "Anima" Milton's own original. Brazil also 'sounds' in "Ocean11", with the collaboration of percussionist Marco Lobo and "House of Tom" song dedicated to Antonio Carlos Jobim.
most modern scene appears on this cd on tracks like "The Ave" that reflects the sounds 'hip hoppers', "Hammer Hammer Baby" more 'house' or the pretty version, almost nine minutes, the group performs the hit the band pop-punk of Blink 182 "Down." The sound closer to Bad Plus is reflected in "Sounds in My Garden" with an echo that rubs against the 'grunge'.
This is a trio 'electro-organic' in which each voice enjoy equal rights . Walter Lang's piano extends its lyrical melodies, very expressive and energetic chords on a good rhythm section consisting of drummer and bassist Gerwin Eisenhauer Sven Faller always accompanied by prerecorded loops and bases that give more pace if it is to the compositions.
In short a good record that without the magic of EST and the strength of The Bad Plus can make you spend good moments.
I. Ortega
Label: Enja
Distributor: Harmonia Mundi
Year: 2010
Musicians: Walter Lang (piano, bases); Sven Faller (bass , bases); Gerwin Eisenhauer (drums, percussion), Mario Sutel (bases), Milton Nascimento (vocals), Marco Lobo (percussion)
Style: Modern Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Wednesday, January 12, 2011
Dark Red Discharge/ Light Period?
ROBERTO FONSECA - LIVE IN MARCIAC
pianist Roberto Fonseca is a Cuban who is gradually making a hole in the tough world of international jazz. A powerful it helps direct and warmth and color on the keyboard.
Jazz in Marciac is a festival in southern France, where the music flows through the vineyards and sunflowers. It is a unique event where you enjoy great music under the stars in the warm August and there have always highlighted the Cuban direct this first hand from the Buena Vista Social Club and Ibrahim Ferrer and then as leader of his own training.
To celebrate this very special concert, the festival has decided to devote one of its cedes-dvd they have started has edited since 2009.
"Roberto Fonseca Live in Marciac, is the result of the concert that took place on August 13, 2009 in Le Chapiteau, Marciac festival headquarters. The album includes songs from the last two albums, Roberto: "Zamazu" and "Akokan" the self composicones Roberto has been devoted to what has most influenced your music career.
He is accompanied on stage by the same quartet of musicians who were in the recording of albums and tours all over the past ten years and it shows in the results. The group is an oiled machine leaves nothing to chance and it sounds is pure Cuban fusion jazz very well done, done to please a broad audience. You do not have an open mind and creativity of compatriots as Omar Sosa and Gonzalo Rubalcaba but what does is done with taste and passion.
case apart is the dvd included which far exceeds the quantity and quality cd because it includes the whole concert of Roberto and his people and be seen with much more clarity as dynamic musical dialogue between Robert and his musicians.
In short, a good album and best DVD that shows what a concert in Marciac for those who do not know and a great souvenir for those who have lived the experience.
I. Ortega
Label: Enja
Distributor: Harmonia Mundi
Year: 2010
Musicians: Roberto Fonseca (piano), Javier Zalba (alto sax; tenor sax, flute), Omar Gonzalez (bass), Ramses Rodriguez (drums); Joel Hierrezuelo (percussion)
Style: Modern Jazz
pianist Roberto Fonseca is a Cuban who is gradually making a hole in the tough world of international jazz. A powerful it helps direct and warmth and color on the keyboard.
Jazz in Marciac is a festival in southern France, where the music flows through the vineyards and sunflowers. It is a unique event where you enjoy great music under the stars in the warm August and there have always highlighted the Cuban direct this first hand from the Buena Vista Social Club and Ibrahim Ferrer and then as leader of his own training.
To celebrate this very special concert, the festival has decided to devote one of its cedes-dvd they have started has edited since 2009.
"Roberto Fonseca Live in Marciac, is the result of the concert that took place on August 13, 2009 in Le Chapiteau, Marciac festival headquarters. The album includes songs from the last two albums, Roberto: "Zamazu" and "Akokan" the self composicones Roberto has been devoted to what has most influenced your music career.
He is accompanied on stage by the same quartet of musicians who were in the recording of albums and tours all over the past ten years and it shows in the results. The group is an oiled machine leaves nothing to chance and it sounds is pure Cuban fusion jazz very well done, done to please a broad audience. You do not have an open mind and creativity of compatriots as Omar Sosa and Gonzalo Rubalcaba but what does is done with taste and passion.
case apart is the dvd included which far exceeds the quantity and quality cd because it includes the whole concert of Roberto and his people and be seen with much more clarity as dynamic musical dialogue between Robert and his musicians.
In short, a good album and best DVD that shows what a concert in Marciac for those who do not know and a great souvenir for those who have lived the experience.
I. Ortega
Label: Enja
Distributor: Harmonia Mundi
Year: 2010
Musicians: Roberto Fonseca (piano), Javier Zalba (alto sax; tenor sax, flute), Omar Gonzalez (bass), Ramses Rodriguez (drums); Joel Hierrezuelo (percussion)
Style: Modern Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Tuesday, January 11, 2011
Required Community Service Letter Of Completion
Marijuana: The Plant that PSU scores pose
There is a market that has revolutionized priced cosmetics. Soaps, body oils, creams and shampoos made from cannabis seed, have captured dozens of men and women - without prejudice, look for these to improve their physical appearance and health.
seems that the word "hemp" and does not cause the same reaction in people who a few years ago. Modernity and openness of Chilean society, this last time, have allowed the "controversial" topic of marijuana are naturalized.
Another possible reason for the shift that has taken the concept of "cannabis" in the country can relate to the benefits that comes from this plant, promising an enchanting beauty, who was able to conquer even the most conservative.
facial creams, body soaps and shampoos, made from the seed of marijuana, are products that have failed to meet the needs of demanding customers who insist on finding the perfect item to indulge his vanity.
"We have a defined profile client. Come housewives, students and young ", says Sebastian Binfa, director of the magazine" Hemp "these past 6 months has explored the sale of items produced by the mat at the new store with the same name as the publication.
As the merchant, the properties of the seed are "incredible." "They contain fatty acids do not have any other element. " Please note that as it is summer, people have gone to the store for body oil that soothes skin burns and for this reason has become a favorite of customers. MARKET
The value of the products ranges between 3,000 and 11,000 pesos. What is considered expensive in the area of \u200b\u200bnatural cosmetics. However, Binfa says the market is stable and that users keep coming back for more.
"People from suit, officers, ladies of 60 years and others who are consumed by the hippie. Just fucking no public consume only organic things, "says Rino Giaconi, store manager "psychoactive". STAR PRODUCT
Hemp oil has become the favorite of countless customers for their properties.
• Strengthens nails and hair due to its high content of polyunsaturated fatty acids.
• Soothes and improves allergies, eczema, burns and other skin problems.
• Regenerates and revitalizes the skin faster than usual for its richness in minerals and vitamins.
www.lanacion.cl
There is a market that has revolutionized priced cosmetics. Soaps, body oils, creams and shampoos made from cannabis seed, have captured dozens of men and women - without prejudice, look for these to improve their physical appearance and health.
seems that the word "hemp" and does not cause the same reaction in people who a few years ago. Modernity and openness of Chilean society, this last time, have allowed the "controversial" topic of marijuana are naturalized.
Another possible reason for the shift that has taken the concept of "cannabis" in the country can relate to the benefits that comes from this plant, promising an enchanting beauty, who was able to conquer even the most conservative.
facial creams, body soaps and shampoos, made from the seed of marijuana, are products that have failed to meet the needs of demanding customers who insist on finding the perfect item to indulge his vanity.
"We have a defined profile client. Come housewives, students and young ", says Sebastian Binfa, director of the magazine" Hemp "these past 6 months has explored the sale of items produced by the mat at the new store with the same name as the publication.
As the merchant, the properties of the seed are "incredible." "They contain fatty acids do not have any other element. " Please note that as it is summer, people have gone to the store for body oil that soothes skin burns and for this reason has become a favorite of customers. MARKET
The value of the products ranges between 3,000 and 11,000 pesos. What is considered expensive in the area of \u200b\u200bnatural cosmetics. However, Binfa says the market is stable and that users keep coming back for more.
"People from suit, officers, ladies of 60 years and others who are consumed by the hippie. Just fucking no public consume only organic things, "says Rino Giaconi, store manager "psychoactive". STAR PRODUCT
Hemp oil has become the favorite of countless customers for their properties.
• Strengthens nails and hair due to its high content of polyunsaturated fatty acids.
• Soothes and improves allergies, eczema, burns and other skin problems.
• Regenerates and revitalizes the skin faster than usual for its richness in minerals and vitamins.
www.lanacion.cl
Monday, January 10, 2011
What Is Mestrogen Used For
MANEL CAMP QUARTET - TANGRAM
Manel Camp is a pianist, composer, educator, arranger, musical director and performer with many of the biggest names in classical music, the "cancer" Catalan, jazz and rock as well as head of the Department of Jazz and Modern Music School of Music in Catalonia and director of the Council National Culture and Arts.
Beyond that and to top it off Manel is also the leader of the "Manel Camps Quartet" which is what matters most to us at this time because the music is great which flows from these four exceptional musicians who have able to make their mark in recent musical history of our country. Manel
and its people, inspired and creative, have chosen diversos caminos musicales en su larga y fructífera carrera musical pero se unen ahora para dar vida a un nuevo proyecto instrumental, original y directo que combina la tradición jazzística más pura con un lenguaje propio y arriesgado.
Manel Camp, siempre sensible sigue avanzando en este su mundo propio contando con la ayuda de tres piezas imprescindibles para el. Matthew Simon a la trompeta, Horacio Fumero al bajo y Lluís Ribalta a la batería, tres músicos que saben tejer un diálogo vivo y real y con el que han creado un discurso de veinte años en el que la comunicación, la creación espontánea y la energía de los diálogos instrumentales forman el leitmotiv de su música.
“Tangram” is the title of this third recording Manel Camp Quartet and the Tangram is a game that contains seven geometric pieces that are combined in every possible way to make a new one, all inclusive, but that is different from the original parties .
Seven are also the notes form a musical scale and mixed together to form something new, something full of possibilities and nuances. Something that has nothing to do with the opening notes, like a tangram. So the coordinated contribution of all the notes is required to build a new product, essentially the same and different. Seven
, how could it be otherwise, are the subjects and each title is one of the letters of the word Tangram. Each piece has an entirely different character, ranging from the lyricism of the initial "T" to the playful joy of "N" or the gathering of "G" to the film "M" final. With all this we can say that this is a collection of pieces evocative and suggestive than just resulting in a downright cheerful book gives and without apparent complications.
I. Ortega
Label: Temps Vesc and Rec
Distributor: Harmonia Mundi
Year: 2010
Musicians: Manel Camp (piano), Matthew Simon (trumpet), Horacio Fumero (bass); Lluis Ribalta (drums)
Style: Modern Jazz
Manel Camp is a pianist, composer, educator, arranger, musical director and performer with many of the biggest names in classical music, the "cancer" Catalan, jazz and rock as well as head of the Department of Jazz and Modern Music School of Music in Catalonia and director of the Council National Culture and Arts.
Beyond that and to top it off Manel is also the leader of the "Manel Camps Quartet" which is what matters most to us at this time because the music is great which flows from these four exceptional musicians who have able to make their mark in recent musical history of our country. Manel
and its people, inspired and creative, have chosen diversos caminos musicales en su larga y fructífera carrera musical pero se unen ahora para dar vida a un nuevo proyecto instrumental, original y directo que combina la tradición jazzística más pura con un lenguaje propio y arriesgado.
Manel Camp, siempre sensible sigue avanzando en este su mundo propio contando con la ayuda de tres piezas imprescindibles para el. Matthew Simon a la trompeta, Horacio Fumero al bajo y Lluís Ribalta a la batería, tres músicos que saben tejer un diálogo vivo y real y con el que han creado un discurso de veinte años en el que la comunicación, la creación espontánea y la energía de los diálogos instrumentales forman el leitmotiv de su música.
“Tangram” is the title of this third recording Manel Camp Quartet and the Tangram is a game that contains seven geometric pieces that are combined in every possible way to make a new one, all inclusive, but that is different from the original parties .
Seven are also the notes form a musical scale and mixed together to form something new, something full of possibilities and nuances. Something that has nothing to do with the opening notes, like a tangram. So the coordinated contribution of all the notes is required to build a new product, essentially the same and different. Seven
, how could it be otherwise, are the subjects and each title is one of the letters of the word Tangram. Each piece has an entirely different character, ranging from the lyricism of the initial "T" to the playful joy of "N" or the gathering of "G" to the film "M" final. With all this we can say that this is a collection of pieces evocative and suggestive than just resulting in a downright cheerful book gives and without apparent complications.
I. Ortega
Label: Temps Vesc and Rec
Distributor: Harmonia Mundi
Year: 2010
Musicians: Manel Camp (piano), Matthew Simon (trumpet), Horacio Fumero (bass); Lluis Ribalta (drums)
Style: Modern Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Sunday, January 9, 2011
Free Church Service Program Templates
Beautify Pinera Legalization of Marijuana
After the meeting between President Sebastián Piñera with some of country scores PSU, 2 students of the Liceo Oscar Castro Zúñiga, Rancagua, Joamich Espinera and Gerardo Jara, required the president to legalize marijuana in Chile.
"People have to learn that marijuana is a drug and a poison," said Espinera opening the interpellation. "I never saw people who were dead or bothering others were walking by smoking marijuana," he added with fellow national math score.
Piñera said that the drug "destroys lives." "If legalizing the autocultivo drug or authorizes the first question: increased or decreased drug use? And second question: would the people of soft drugs to hard drugs like cocaine, "he asked students.
The conversation was not very long, and only ended with a "leave it for another day" by Piñera, who said goodbye with a handshake of adolescents.
"It bothers me that the Chilean government take (to marijuana) as the same classification (as other drugs), so just wanted to ask the President," he said Joamich to Nacion.cl, who plans to study Civil Engineering at the University of Chile.
www.lanacion.cl
After the meeting between President Sebastián Piñera with some of country scores PSU, 2 students of the Liceo Oscar Castro Zúñiga, Rancagua, Joamich Espinera and Gerardo Jara, required the president to legalize marijuana in Chile.
"People have to learn that marijuana is a drug and a poison," said Espinera opening the interpellation. "I never saw people who were dead or bothering others were walking by smoking marijuana," he added with fellow national math score.
Piñera said that the drug "destroys lives." "If legalizing the autocultivo drug or authorizes the first question: increased or decreased drug use? And second question: would the people of soft drugs to hard drugs like cocaine, "he asked students.
The conversation was not very long, and only ended with a "leave it for another day" by Piñera, who said goodbye with a handshake of adolescents.
"It bothers me that the Chilean government take (to marijuana) as the same classification (as other drugs), so just wanted to ask the President," he said Joamich to Nacion.cl, who plans to study Civil Engineering at the University of Chile.
www.lanacion.cl
Qualities Of Highwaymen
another step towards the legalization of Cannabis Legalization in Europe
After a hearing where they argued about the regulation of cannabis in the Member States, the European Union decided not to block the initiatives presented by the EU member states for when it comes to starting a legal regulation of cannabis and other drugs that are now illegal. The news was reported by Dana Spinant which is the new coordinator of the Drug Unit of the European Commission.
The hearing considered the financial implications of the decriminalization of drugs and how it impacts the regulation of cannabis in public spending.
In 2009 the EU published a report which dealt with illicit drug markets in the years 1998 to 2007 taking the conclusion that current policies are failing in reducing demand and supply of illicit drugs and can reach cause damage to individual consumers in their environment and society.
The fact that drugs are banned in Europe greatly promotes organized crime in the words of a Dutch MEP. In the case of the Netherlands are being applied more pressure in cofeeshops among which is the exclusion of foreign tourists entering passes membership, which undoubtedly increase the illegal market.
legal regulation of cannabis is becoming more settled in different parts of the world and producing results. The measures implemented in the Netherlands and Portugal have not entail greater consumption but nevertheless they provide better safety conditions for the drug. In the Basque country of cannabis social clubs are a way of collectively cultivated marijuana plant for use person being recognized as a successful model.
The European Commission carried out an assessment of costs to drug prohibition as well as what benefits they may have. A left turn clear that the commission has no power to take initiatives to open the debate on drug reform, the responsibility borne by member states of the EU.
www.lamarihuana.com
After a hearing where they argued about the regulation of cannabis in the Member States, the European Union decided not to block the initiatives presented by the EU member states for when it comes to starting a legal regulation of cannabis and other drugs that are now illegal. The news was reported by Dana Spinant which is the new coordinator of the Drug Unit of the European Commission.
The hearing considered the financial implications of the decriminalization of drugs and how it impacts the regulation of cannabis in public spending.
In 2009 the EU published a report which dealt with illicit drug markets in the years 1998 to 2007 taking the conclusion that current policies are failing in reducing demand and supply of illicit drugs and can reach cause damage to individual consumers in their environment and society.
The fact that drugs are banned in Europe greatly promotes organized crime in the words of a Dutch MEP. In the case of the Netherlands are being applied more pressure in cofeeshops among which is the exclusion of foreign tourists entering passes membership, which undoubtedly increase the illegal market.
legal regulation of cannabis is becoming more settled in different parts of the world and producing results. The measures implemented in the Netherlands and Portugal have not entail greater consumption but nevertheless they provide better safety conditions for the drug. In the Basque country of cannabis social clubs are a way of collectively cultivated marijuana plant for use person being recognized as a successful model.
The European Commission carried out an assessment of costs to drug prohibition as well as what benefits they may have. A left turn clear that the commission has no power to take initiatives to open the debate on drug reform, the responsibility borne by member states of the EU.
www.lamarihuana.com
How Much Calories Is In A Chicken Curry
Cannabis in Germany
In the European country are starting the Cannabis Social Clubs. Start meeting in the streets of Germany to adults going through the city in groups expressing their right to use cannabis and cultivation for personal use. Has also started planting marijuana collective which promotes the cultivation of new varieties of cannabis argued that it is a right for people to consume cannabis and cultivating your own risk.
Germans favoring individual initiative are growers of marijuana, with family, friends and professionals who practice cultivation for themselves and in their free time. The plantation is located on private property where the expenses and liabilities are on the same owners. Not sold or bought grass, not seeds. Rather it is a closed group where everyone knows and adulthood are arguing that not providing the product to minors.
cannabis consumption is done in proper places and among the members, not accepting other people's grass or groups who are not familiar to the members. On the other hand one of the major polling institutes in Germany TNS-EMNID has published the results of a survey that provides information on cannabis. 40% of respondents are in favor of continuing the criminalization of consumers decannabis strengthen even further reach. 19% are in favor of a regulated cannabis market in state taxes and marketed in stores. 30% say they favor decriminalizing possession of small amounts of marijuana intended for personal consumption but could be labeled a fine but not as a criminal offense. About 5% are all for no restrictions. 7% did not know or no answer.
Interpreting the results nearly 54% are in favor of allowing personal use and cultivation of cannabis.
www.lamarihuana.com
In the European country are starting the Cannabis Social Clubs. Start meeting in the streets of Germany to adults going through the city in groups expressing their right to use cannabis and cultivation for personal use. Has also started planting marijuana collective which promotes the cultivation of new varieties of cannabis argued that it is a right for people to consume cannabis and cultivating your own risk.
Germans favoring individual initiative are growers of marijuana, with family, friends and professionals who practice cultivation for themselves and in their free time. The plantation is located on private property where the expenses and liabilities are on the same owners. Not sold or bought grass, not seeds. Rather it is a closed group where everyone knows and adulthood are arguing that not providing the product to minors.
cannabis consumption is done in proper places and among the members, not accepting other people's grass or groups who are not familiar to the members. On the other hand one of the major polling institutes in Germany TNS-EMNID has published the results of a survey that provides information on cannabis. 40% of respondents are in favor of continuing the criminalization of consumers decannabis strengthen even further reach. 19% are in favor of a regulated cannabis market in state taxes and marketed in stores. 30% say they favor decriminalizing possession of small amounts of marijuana intended for personal consumption but could be labeled a fine but not as a criminal offense. About 5% are all for no restrictions. 7% did not know or no answer.
Interpreting the results nearly 54% are in favor of allowing personal use and cultivation of cannabis.
www.lamarihuana.com
Best Camera Bag Disney 2011
ratify the decriminalization of possession of marijuana for personal consumption
In Argentina, the Federal Chamber endorsed the decriminalization of drug possession for personal use in confirming the dismissal of a young man who was caught smoking a marijuana cigarette in the vicinity of Chacarita cemetery in Buenos Aires.
In a decision signed on December 30 last and had access to Telam, the maids Jorge Luis Ballestero and Eduardo Farah reiterated the unconstitutionality of the second paragraph of Article 14 of Law 23737, known as "drug law" that suppressed the behavior.
The four facets of his sentence was right judges to the federal judge Daniel Rafecas desincriminó the young man who was struck by a brigade of the Federal Police, the Avenida Guzman height Federico Lacroze of the former line General Urquiza in this city, smoking a marijuana cigarette.
against the decision of Judge Carlos Stornelli Rafecas prosecutor lodged an appeal to the maids did not rise to the claim that the court ruling "is well founded" and apply the foundations of the magistrate to terminate the accused.
The judges reiterated that in order to punish the accused is necessary that the consumption of drugs will lead to a "ostentatiously and" affecting third parties, something that was not the case in question as the young "was alone, walking a main road, he noticed the police presence immediately got rid of the cigarette. "
"The possession of narcotics for their own consumption behavior of the holder was unable, by itself, to connect to an outcome of harm to others, because it meant no harm to public order and morality or prejudicial to third parties involved "said Ballard in a concept he joined his colleague Farah.
The maid added that there are cautions that "the circumstances in which alleged possession occurred in cars, a situation of harm, or even concrete danger" to the rights or property of others, because it is not synonymous with mere externalization behavior-. "
For this reason concluded that corresponds to "declare the unconstitutionality of Article 14, second paragraph, of Law 23,737, for the specific case brought under review" and confirm, so, "the car turned around and off the field as has appeal "
www.lamarihuana.com
In Argentina, the Federal Chamber endorsed the decriminalization of drug possession for personal use in confirming the dismissal of a young man who was caught smoking a marijuana cigarette in the vicinity of Chacarita cemetery in Buenos Aires.
In a decision signed on December 30 last and had access to Telam, the maids Jorge Luis Ballestero and Eduardo Farah reiterated the unconstitutionality of the second paragraph of Article 14 of Law 23737, known as "drug law" that suppressed the behavior.
The four facets of his sentence was right judges to the federal judge Daniel Rafecas desincriminó the young man who was struck by a brigade of the Federal Police, the Avenida Guzman height Federico Lacroze of the former line General Urquiza in this city, smoking a marijuana cigarette.
against the decision of Judge Carlos Stornelli Rafecas prosecutor lodged an appeal to the maids did not rise to the claim that the court ruling "is well founded" and apply the foundations of the magistrate to terminate the accused.
The judges reiterated that in order to punish the accused is necessary that the consumption of drugs will lead to a "ostentatiously and" affecting third parties, something that was not the case in question as the young "was alone, walking a main road, he noticed the police presence immediately got rid of the cigarette. "
"The possession of narcotics for their own consumption behavior of the holder was unable, by itself, to connect to an outcome of harm to others, because it meant no harm to public order and morality or prejudicial to third parties involved "said Ballard in a concept he joined his colleague Farah.
The maid added that there are cautions that "the circumstances in which alleged possession occurred in cars, a situation of harm, or even concrete danger" to the rights or property of others, because it is not synonymous with mere externalization behavior-. "
For this reason concluded that corresponds to "declare the unconstitutionality of Article 14, second paragraph, of Law 23,737, for the specific case brought under review" and confirm, so, "the car turned around and off the field as has appeal "
www.lamarihuana.com
Friday, January 7, 2011
What Size Font Should Academic Posters Be
DAVID MURRAY CUBAN ENSEMBLE - PLAYS NAT KING COLE "EN ESPAÑOL"
David Murray is a musician who has always demonstrated his love and concern, among others, for Latin music.
now being, as it is, one of the most prolific jazzman and full of music and productive resources, reinterprets in his latest album, at one of their most unlikely and original songs that Nat King Cole recorded in English among 1958 and 1962 respectively, playing tunes from Cuba, Mexico, Puerto Rico, Brazil and Argentina.
With only a couple of albums sung in Castilian, a language they know and only phonetically interpreted, the jazz singer and pianist Nat King Cole was a gap in English music, and generally, in Latin music. Such was its impact, and largely still remains (especially when you reach a certain age or living some emotional situations), that his performances seem to have become as canonical versions of the same.
David has played more than 250 albums, more than half of them under his own name. But still more impressive than the numbers is your permanent record in two achievements: a tenor saxophonist, field that has achieved an instantly recognizable sound that combines tradition and modernity as few have succeeded, even in its Free flights, secondly, its ongoing search for new challenges and exploration of many musical traditions .
The truth is that the challenge is interesting and I think you have a certain fondness delve into a CD that gives you updates with the seal of Murray, of songs like "The Bodeguero" "Perhaps, Perhaps, Perhaps" or " A Media Luz. " It would be a sin to miss this opportunity to see what a genius as Murray finds and brings to light work on this material.
The result is one of the most incredible albums Murray. Shows a big jump in their approach to a world of music that long ago fascinated him. The arrangements are imaginative, compelling and clever, especially in the integration between winds and strings. The band is as strong as a fist. A tribute sensational climax of his extensive discography.
Iñigo Ortega
Label: Universal
Distributor: Universal
Year: 2010
Musicians: David Murray (tenor sax, t, bass clarinet); Roman Filiu Orreilly (alto sax), Ariel Ruiz Bringuez (tenor sax), Mario Felix Hernandez Morrejon, Maye Franck Pedroza (trumpet); Denis Cuni Rodriguez (trombone), Pepe Rivero (piano), Reiner Elizarde Ruano (bass), Pico Georvis Milan (drums) Mansfarroll Abraham Rodriguez (congas), Daniel Melingo (voice); Sinfonietta of Sines
Style: Latin Jazz
David Murray is a musician who has always demonstrated his love and concern, among others, for Latin music.
now being, as it is, one of the most prolific jazzman and full of music and productive resources, reinterprets in his latest album, at one of their most unlikely and original songs that Nat King Cole recorded in English among 1958 and 1962 respectively, playing tunes from Cuba, Mexico, Puerto Rico, Brazil and Argentina.
With only a couple of albums sung in Castilian, a language they know and only phonetically interpreted, the jazz singer and pianist Nat King Cole was a gap in English music, and generally, in Latin music. Such was its impact, and largely still remains (especially when you reach a certain age or living some emotional situations), that his performances seem to have become as canonical versions of the same.
David has played more than 250 albums, more than half of them under his own name. But still more impressive than the numbers is your permanent record in two achievements: a tenor saxophonist, field that has achieved an instantly recognizable sound that combines tradition and modernity as few have succeeded, even in its Free flights, secondly, its ongoing search for new challenges and exploration of many musical traditions .
The truth is that the challenge is interesting and I think you have a certain fondness delve into a CD that gives you updates with the seal of Murray, of songs like "The Bodeguero" "Perhaps, Perhaps, Perhaps" or " A Media Luz. " It would be a sin to miss this opportunity to see what a genius as Murray finds and brings to light work on this material.
The result is one of the most incredible albums Murray. Shows a big jump in their approach to a world of music that long ago fascinated him. The arrangements are imaginative, compelling and clever, especially in the integration between winds and strings. The band is as strong as a fist. A tribute sensational climax of his extensive discography.
Iñigo Ortega
Label: Universal
Distributor: Universal
Year: 2010
Musicians: David Murray (tenor sax, t, bass clarinet); Roman Filiu Orreilly (alto sax), Ariel Ruiz Bringuez (tenor sax), Mario Felix Hernandez Morrejon, Maye Franck Pedroza (trumpet); Denis Cuni Rodriguez (trombone), Pepe Rivero (piano), Reiner Elizarde Ruano (bass), Pico Georvis Milan (drums) Mansfarroll Abraham Rodriguez (congas), Daniel Melingo (voice); Sinfonietta of Sines
Style: Latin Jazz
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Tuesday, January 4, 2011
Cheetos Flamin Hot Berlin
ALDO ROMANO - COMPLETE COMMUNION TO DON CHERRY
Aldo Romano is a great drummer naturalized French Italian has signed a few years very interesting and give in at the time, during the sixties, working with Don Cherry in the European Quartet Communion when the trumpeter was turned by this continent.
now considered that it was appropriate to pay tribute to this great master of the trumpet, a sort of apostle of free and fusion with ethnic music that deeply into the time frame the future of jazz. We can say that
this is not a tribute either because apart from that there are relatively few tributes to this great trumpet the Romano is with feeling and reason. I said that when Don Cherry went to Europe in 1964 mounted a group with Gato Barbieri, Jean F. Jenny Clark on bass, Karl Berger on vibraphone and Aldo to the battery itself, this was the germ of the later Complete Communion was recorded in New York with another line. Don Cherry was a finding your own sound flirting with free jazz and other sounds. A cross between Ornette Coleman, Albert Ayler and also, why not Africa and Brazil.
Aldo has taken a part of the code disk revisionism issues Communion Quartet as Remenbrance "," Elephantasy "or" Complete Communion "and has expanded the repertoire with other issues that played in Copenhagen together as" Music Man "or" Springs is Here "also added post topics as" Art Deco "and issues that Cherry was in the quartet with Ornette Coleman and even an old theme Aldo own "Gush" and has endorsed no longer have some of the sound characteristics Cherry: freshness, rhythmic games based on breaks and acceleration, melodic moments of a "naive."
cd not look at this repetition of what at the time Don Cherry proposed and if we seek only good jazz and screened by Aldo Romano know that once again proves to be one of the great values \u200b\u200bof European jazz.
I. Ortega
Label: Dreyfus Jazz
Distributor: Karonte
Year: 2010
Musicians: Aldo Romano (drums), Henry Texier (bass); Geraldine Laurent (sax), Fabrizio Bosso (trumpet)
Style: Experimental
Aldo Romano is a great drummer naturalized French Italian has signed a few years very interesting and give in at the time, during the sixties, working with Don Cherry in the European Quartet Communion when the trumpeter was turned by this continent.
now considered that it was appropriate to pay tribute to this great master of the trumpet, a sort of apostle of free and fusion with ethnic music that deeply into the time frame the future of jazz. We can say that
this is not a tribute either because apart from that there are relatively few tributes to this great trumpet the Romano is with feeling and reason. I said that when Don Cherry went to Europe in 1964 mounted a group with Gato Barbieri, Jean F. Jenny Clark on bass, Karl Berger on vibraphone and Aldo to the battery itself, this was the germ of the later Complete Communion was recorded in New York with another line. Don Cherry was a finding your own sound flirting with free jazz and other sounds. A cross between Ornette Coleman, Albert Ayler and also, why not Africa and Brazil.
Aldo has taken a part of the code disk revisionism issues Communion Quartet as Remenbrance "," Elephantasy "or" Complete Communion "and has expanded the repertoire with other issues that played in Copenhagen together as" Music Man "or" Springs is Here "also added post topics as" Art Deco "and issues that Cherry was in the quartet with Ornette Coleman and even an old theme Aldo own "Gush" and has endorsed no longer have some of the sound characteristics Cherry: freshness, rhythmic games based on breaks and acceleration, melodic moments of a "naive."
cd not look at this repetition of what at the time Don Cherry proposed and if we seek only good jazz and screened by Aldo Romano know that once again proves to be one of the great values \u200b\u200bof European jazz.
I. Ortega
Label: Dreyfus Jazz
Distributor: Karonte
Year: 2010
Musicians: Aldo Romano (drums), Henry Texier (bass); Geraldine Laurent (sax), Fabrizio Bosso (trumpet)
Style: Experimental
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Sunday, January 2, 2011
How To Make Dried Vegetable Snacks
ANTONIO SANCHEZ - LIVE IN NEW YORK AT JAZZ STANDARD
Mexican drummer Antonio Sanchez, a leading generation of this instrument as evidenced by the facts being fixed member of Pat Metheny groups and participating as a sideman in some of the most interesting jazz albums that are being edited now.
His second album as leader, after elmas that interesting, "Migration" (Cam Jazz, 2007) is a kind of 'tour de force' as it is a double live album which features both new songs and pieces rescued of his debut album, and everything in front of a quartet consisting of two Latin musicians such as saxophonists Miguel Zenon and David Sanchez and bassist Scott Colley, one of the most popular right now.
From this record we can say that Sanchez is the former, where the presence of Pat Metheny, Chick Corea and Chris Potter could dazzle with his work tackle the work of the leader. Not here. Here the listener is eight songs, most exceeding twelve minutes long, where six subjects are signed by the drummer and the other two by Zenon and David Sanchez, respectively.
Through these more than two hours of intense music and radically creative journey unfolds polychrome which gathers from latin jazz to free, to look more post-bop, where all participants ended up starring solo rare beauty. "Live in New York at Jazz Standard" Antonio Sanchez confirmed as a very strong leader, a prolific composer as a musical architect of a sound very distinguished in which is felt its strong, broad and diverse musical culture.
José Manuel Pérez Rey
Label: CamJazz
Distributor: Karonte
Year: 2010
Musicians: Antonio Sanchez (drums), Scott Colley (bass), Miguel Zenon (alto sax), David Sanchez (tenor sax)
Style: Mainstream
Mexican drummer Antonio Sanchez, a leading generation of this instrument as evidenced by the facts being fixed member of Pat Metheny groups and participating as a sideman in some of the most interesting jazz albums that are being edited now.
His second album as leader, after elmas that interesting, "Migration" (Cam Jazz, 2007) is a kind of 'tour de force' as it is a double live album which features both new songs and pieces rescued of his debut album, and everything in front of a quartet consisting of two Latin musicians such as saxophonists Miguel Zenon and David Sanchez and bassist Scott Colley, one of the most popular right now.
From this record we can say that Sanchez is the former, where the presence of Pat Metheny, Chick Corea and Chris Potter could dazzle with his work tackle the work of the leader. Not here. Here the listener is eight songs, most exceeding twelve minutes long, where six subjects are signed by the drummer and the other two by Zenon and David Sanchez, respectively.
Through these more than two hours of intense music and radically creative journey unfolds polychrome which gathers from latin jazz to free, to look more post-bop, where all participants ended up starring solo rare beauty. "Live in New York at Jazz Standard" Antonio Sanchez confirmed as a very strong leader, a prolific composer as a musical architect of a sound very distinguished in which is felt its strong, broad and diverse musical culture.
José Manuel Pérez Rey
Label: CamJazz
Distributor: Karonte
Year: 2010
Musicians: Antonio Sanchez (drums), Scott Colley (bass), Miguel Zenon (alto sax), David Sanchez (tenor sax)
Style: Mainstream
www.distritojazz.com a website dedicated to the world of jazz and other music, written in Castilian and open to the world.
Subscribe to:
Posts (Atom)